Giovanni Punzi
Solo Clarinet at the Orchestra del teatro Massimo of Palermo and Artistic Director of the Mediterranean Clarinet Academy
Rémi Delangle
Principal clarinettist of the Orchestre de la Garde Républicaine
Trained at the conservatories of Boulogne-Billancourt, Cergy-Pontoise, Aubervilliers, and Sydney, Rémi joined the class of Pascal Moraguès and Jean-François Verdier at the CNSMDP, where he obtained his Master's degree in clarinet with honors.
He joined the Orchestre de la Garde Républicaine in 2007, while continuing his career as a guest performer with prestigious orchestras such as the Orchestre de Paris, the Mahler Chamber Orchestra, and the Orchestre National de France.
He also participated in international competitions, distinguishing himself as a semi-finalist in the ARD competition in Munich and a laureate in the Societa Umanitaria competition in Milan.
Committed to chamber music, Rémi Delangle regularly collaborates with renowned artists and is invited to major festivals in France and abroad. He is a founding member of the basset horn trio Les Flamants Noirs, the group Emirs, the Dumka Quintet, and the duo with Vassilena Serafimova.
Alongside his classical training, Rémi developed a passion for improvised and oral music from the Balkans, as well as Klezmer music. He flourishes in this vein with the Sirba Octet, Emirs, Dumka, and numerous short-lived improvisational projects.
Eager for new experiences and keen to share his love of music with as many people as possible, he is also co-founder of the Essertinages rural music festival. He is now collaborating with the Voce quartet in the “Quartet à Vendôme” festival/academy.
Céline Millet
Clarinettist of the Orchestre de la Garde Républicaine, Professor at the Conservatoires de Paris (CMA 18)
Tadej Kenig
principal clarinetist of the Slovenian national Opera and ballet orchestra,
associate professor of clarinet at University in Ljubljana, Academy of music
Tadej Kenig is the principal clarinetist of the Slovenian National Opera and Ballet Orchestra in Ljubljana and an Associate Professor at the Academy of Music in Ljubljana. He completed his undergraduate studies with Professor Slavko Goričar and earned his postgraduate Solistendiplom with highest honors at the Hochschule für Musik der Stadt Basel under Professor François Benda.
He is a recipient of numerous first prizes at national and international competitions, including the overall victory at the prestigious “Marco Fiorindo” competition in Turin, Italy, in the solo clarinet category.
As a soloist, chamber musician, and orchestral player, Kenig performs across Europe, Asia, and South America – including Austria, Germany, France, Switzerland, the UK, Brazil, India, and the Balkans. He has performed with ensembles such as the Slovenian Philharmonic, Basel Symphony Orchestra, Bratislava Chamber Orchestra, Cantus Ensemble, etc. under conductors like Marko Letonja, Stefan Sanderling, Othmar Maga, Szymon Bywalec, Simon Krečič and others.
Kenig is a regular guest at major contemporary music festivals such as Biennale Zagreb, Electromediaworks Athens, and S.O.U.N.D. Scotland, collaborating with some of the world’s leading performers and composers including Kevin Rhodes, Heinz Holliger, Roberto Fabbriciani, Krzysztof Penderecki, Rohan de Saram, Jürg Henneberger, Jürg Wyttenbach, and many others.
His discography includes Dialogue de l'ombre double (2007), Molly Brallaghan, Quintet Artvento and Friends (2008), Vivid Air (2010), and Alojz Ajdič: Works for Clarinet (2010), among others.
An active pedagogue, he has taught and lectured at music academies and universities across Europe: the Sibelius Academy in Helsinki, UDK Berlin, Basel Academy of Music, Conservatorio della Svizzera Italiana in Lugano, the University of Novi Sad, the University of Aberdeen, and other international education centers and masterclasses.
He is the founder and artistic director of the Glasbena Fabr’ka Festival and the Biennial International Clarinet Masterclasses, which bring together some of the world’s most respected clarinetists and teachers.
Kenig’s artistic voice, technical excellence, and interpretative depth are regularly praised by critics both in Slovenia and internationally, placing him among the most compelling clarinetists of his generation.
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